Palle Suenson
Pair of armchairs, 1948
Walnut, Niger leather, fitted with brass nails.
88 x 68 x 61 cm
34 5/8 x 26 3/4 x 24 in
Seat height : 45 cm
34 5/8 x 26 3/4 x 24 in
Seat height : 45 cm
Palle Suenson (1904-1987) was one of Denmark’s most prominent modernistic architects of the 20th century. His work covers a wide range, from single-family town houses to large-scale office buildings and...
Palle Suenson (1904-1987) was one of Denmark’s most prominent modernistic architects of the 20th century. His work covers a wide range, from single-family town houses to large-scale office buildings and public institutions. The often impressive volume and serene form of his architecture were always combined with an unfailing artistic sense of materials and details – and many of Denmark’s most prominent furniture architects such as Hans J. Wegner and Poul Kjærholm were employed by Suenson in their formative years.
Educated at the Royal Danish Academy of Fine Arts in Copenhagen, he worked primarily with architecture. Furniture design formed a smaller but consistent part of his practice, often created for specific interiors and produced in limited numbers. His furniture designs are relatively rare and align closely with the traditions of Danish cabinetmaking in the 1940s and 1950s.
The design reflects Suenson’s architectural background, with a clear emphasis on structure, proportion, and usability. The gently curved backs provide support, while the arms are formed as an integral part of the frame. The seats are broad and slightly rounded at the front, offering a comfortable and balanced sitting position. These armchairs exemplify the practical and understated approach characteristic of Danish furniture design in the 1940s and 1950s, combining durable materials with a clear, functional form.
Educated at the Royal Danish Academy of Fine Arts in Copenhagen, he worked primarily with architecture. Furniture design formed a smaller but consistent part of his practice, often created for specific interiors and produced in limited numbers. His furniture designs are relatively rare and align closely with the traditions of Danish cabinetmaking in the 1940s and 1950s.
The design reflects Suenson’s architectural background, with a clear emphasis on structure, proportion, and usability. The gently curved backs provide support, while the arms are formed as an integral part of the frame. The seats are broad and slightly rounded at the front, offering a comfortable and balanced sitting position. These armchairs exemplify the practical and understated approach characteristic of Danish furniture design in the 1940s and 1950s, combining durable materials with a clear, functional form.